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Future Plans include
Schönbergs Erwartung Salome Final Scene at the new Philharmonie de Paris
Hindemiths Sancta Susanna with Maestro Muti
Opera Gala in the Philharmonie Köln
All Brünnhildes in Achim Freyers new ring cycle in Seoul 2019/20
ongoing Recital Engagements |
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Miss Pinter gave her Debut at the Enescu Festival as Ursula in Mathis der Maler with Maestro Foster
Stream of TV Production available |
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Wagners Liebestod and Immolation Scene with the Philharmonic of Slovenia and James Judd in Ljubljana |
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House Debut at Casa da Musica Excerpts Brünnhilde Wagner Siegfried Götterdämmerung Peter Rundel Brünnhilde in Wagner was the Austrian soprano Brigitte Pinter. First a mezzo soprano she made her transition to the dramatic soprano (such as the recently deceased Janis Martin, who distinguished herself in the great Wagnerian and Strauss roles, such as the still young Pinter has been doing). Miss Pinter came to Porto for the first time. (In 2007 she sang in Lisbon the diptych Sancta Susanna / Erwartung and Marie in Bergs Wozzeck) - she worked with Rundel in 2012 in the Ruhr Triennale, in a production of Prometheus, Orff - and left us with the desire to be heard again soon around here: her beautiful mezzo timbre gives a solid support to the texture and color of the the middle register. Her high register is beautiful, bright and firm and, with age, will still win in dramatic penetration. As for the physical and histrionic presence, she is already incredibly charismatic. Pinter is a dramatic soprano that we can count on in the future! DNArtes |
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Role debut as Marta in D’Alberts Tiefland with Johan Botha and Sebastian Weigle at the Oper Frankfurt
Das Liebesduett zwischen Johan Botha (Pedro) und Brigitte Pinter (Marta) ist große Oper und rührt auch diejenigen, die bislang neutral zu d’Alberts Musik standen. Eigentlich schade, dass in Frankfurt nun Schluss mit diesem „Tiefland“ sein soll. Frankfurter Neue presse
Ihm zur Seite eine Marta von großem Format Brigitte Pinter, diese relativ junge Sängerin formulierte in ausgezeichneter Darstellung und berührender Charakterisierung die vom Schicksal hart getroffenen Frau. Ihre Mezzo-Dispostion hört man der Sopranistin nach wie vor an, in schöner Färbung der Mitteltöne gelangen ihr ebenso die oberen Bereiche in bester Manier. Mit kraftvollen zuweilen leisen Tönen bewältigt Pinter die musikalischen Tücken ihrer Partie, breitete erschütternd das ganze seelische Elend aus, erinnert an ihre unglückliche Kindheit, die sie nie hat echte Liebe erleben lassen, dafür mehr Brutalität welcher sie bis dato nicht entrinnen konnte. Der Neue Merker
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Brigitte Pinter gave her acclaimed debut at Salle Pleyel in Paris with Wagners Wesendoncklieder along with Brünnhildes Immolation Scene from Götterdämmerung with Orchestra de la Conservatoire de Paris and Maestro Emmanuel Krivine. |
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WAGNER YEAR ISOLDE in Wagners Tristan und Isolde Role Debut with at Teatro La Fenice
Miss Pinters Debut as ISOLDE in Wagner’s Tristan und Isolde at Teatro La Fenice for the opening of the International Wagner Year in a new production with Maestro Myung-Whun Chung and Paul Curran was highly acclaimed by press and audience. Nevertheless this Tristan may be called a sensation because of the young,promising phenomenal Isolde-debutante Brigitte Pinter. DLF - Kultur aktuell Brigitte Pinter une Isolde determinee et charismatique Le Figaro
Isolde was brilliantly performed by Brigitte Pinter, powerful, intense, tragic, beautiful, she is a driving force with a fascinating interpretation. Kulturkompasset Read more reactions of the press at REVIEWS |
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BRÜNNHILDE in Walküre, Siegfried and Götterdämmerung at Opera Bastille with Philippe Jordan See VIDEOCLIPS Miss Pinter appeared again in Paris with all Brünnhildes |
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Wesendoncklieder Konzerthaus Vienna
Miss Pinter at Konzerthaus in Vienna with Wagners Wesendocklieder and the Hugo Wolf Quartett |
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Ruhrtriennale Miss Pinters appearance in the role of IO INACHIS in Carl Orff’s Prometheus in a New Production of Lemi Ponifasio at the Ruhrtriennale was nothing less than a personal triumph. "Light into the darkness: .....Her mourning screams enlightened the darkness of the soul. These were grand moments in the performance reminding us of the great moments of ancient greek theatre." FAZ Brigitte Pinter was awarded the special honorary price of the Carl Orff Foundation for her outstanding artistic performance. Read more reactions of the press at REVIEWS |
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Ravenna Festival Brigitte Pinter sang with great success in a new Production of Hindemith's Sancta Susanna at the Ravenna Festival with Maestro Riccardo Muti and Chiara Muti |
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New National Theatre Tokyo Brigitte Pinter appeared in the role o f Princess in Dvoraks Rusalka in a new prodction with Maestro Jaroslav Kyzlink and Paul Curran |
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BRÜNNHILDE at Opera Bastille Brigitte Pinter gave her role debuts of Brünnhilde in "Siegfried" and "Götterdämmerung" with Philippe Jordan at Opera Bastille in Paris
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Arnold Schönberg "Erwartung" In a new Production of Arnold Schönbergs "Erwartung" Miss Pinter gave her house debut at Theatre Capitole Toulouse. Read what the press had to say at |
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Brigitte Pinter gave her role debut as Eurydike in Krenkes "Orpheus and Eurydike"with Lothar Zagrosek at the Konzerthaus in Berlin. Press and audience were thrilled by her performance. Brigitte Pinters rich soprano as Eurydike (alias Alma Mahler) owns thrilling high notes as well as expressive, almost existential force without loosing her clear diction. Österreichische Musikzeitschrift, Jürgen Otten Brigitte Pinter, who had studied the role just in a few days, sang with great vocal beauty and warm, lyric emphasis. FAZ, Jan Brachmann
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Brigitte Pinter and Riccardo Muti Debut with The New York Philharmonic at Avery Fisher Hall, New York City in Hindemiths Sancta Susanna "She was utterly aware of what she was singing, she was dramatic without forgetting to be musical. She chilled the audience to the bone..." The New York Sun Download the LIVEBROADCAST of this concert at: |
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After her successful appearances as Wozzeck Marie in Lisbon, as Frau in Arnold Schönbergs Erwartung in Rome, as well as Venus at Deutsche Oper Berlin, Miss Pinter moved to her new repertoire as a dramatic soprano and gave her role debut as Elektra with Maestro Eliahu Inbal in a production of Klaus Michael Grüber at Teatro La Fenice in Venice. Future plans include Isolde and all three Brünnhildes in Wagners Ring, Salome, Färberin as well as Turandot.
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See Video at YouTube One of the stars most shining in this luxurious cast is Brigitte Pinter, a voice of great international successes “discovered” by Maestro Claudio Abbado. In Portugal, in Sao Carlos, she already showed her class in a most demanding soloperformance: Erwartung by Arnold Schoenberg. She debues as Marie in this Wozzeck. According to the stage director she is “less the insane person on stage but much more close to our- the spectators- inner world. Publico, Pedro Boleo This Marie of Brigitte Pinter was simply outstanding. She is clearly approaching the register of a dramatic soprano and moving away from the mezzo sound. Notable her diction, notable the insight and the art of the “Sprechgesang” sections, notable the ease of articulation in a role that reaches from a contra e up to the high c’’’, with phrases that expand into two and a half octaves, for example the “mirror piece”, demanding “molto leggero” and it really was “molto leggero”. In combination with Pinters portrayal of the part she demonstrates professionalism and most serious dedication to the work. criticomusical.blogspot.com |
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Pinter uses the beautiful colors of her “mezzo” voice to sculpture the dilemmas of Marie and she also produces fascinating high notes in the hour of truth. O Espresso, Jorge Calado Brigitte Pinter was very convincing up to Maries final “hair-raising” scream; one can clearly perceive that she is not only an excellent singer, but also a true actress. Publico, Pedro Boleo Brigitte Pinter unites vocal and scenic qualities, in the effort to serve the ambitious demands of the staging (immaculate mother/prostitute). Sol, Joao Maria de Freitas Branco |
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See Video at YouTube Portuguese National Radio A woman, lost in a dark forest, at night, waits for the beloved one. In her delirious walking she recognizes his body: he is dead. Dead himself or dead their love? Maybe he is only absent? We do not know, we will never know, we know only that she loves him. Is it reality or hallucination? Brigitte Pinter, Austrian Mezzo Soprano, was excellent. It was her first time to perform the role. She is a mature actress with a full-bodied voice which is even throughout the entire range. She offers luxurious low notes and tremendous high notes full of body and strength, and is capable of the utmost delicate pianissimi in all ranges mixed with explosions of strength. Brigitte Pinter showed a perfect intonation and a clear vibrato without exaggeration. The technical aspects of this role are very challenging but the most important fact about Pinter’s performance was her capability of expressing all the different emotions contained in the part. Henrique Silveira |
"Pinter already announced her class as Sister Klementia in Sancta Susanna of Hindemith"
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